Ghostown (2010)

“…the several clusters of dancers doing different things at the same time, as in Cunningham, make the threat of anarchy more tangible and thrilling… Petronio makes his best dances when a regular beat is banging away…it not only gives him something forthright to push against, it also reminds him of his purpose: however elusively, to manifest the hard edge of joy.”

— Apollinaire Scherr, The Financial Times